"I want to learn to quilt someday": Review of a Craftsy course for novice quilters

by Judy Tucker


It was pouring buckets this morning.  I'd donned foul weather gear and taken the dogs out in the rain for their morning walk.  I had a hot cup of coffee, now what to do?

I headed over to Craftsy.com on my computer to see what I could find.   And I found a gem: Piece, Patch, Quilt: Basic Quiltmaking Skills.  This course is taught by Gail Kessler, a quilt shop owner and quilter, and it has 3 hours of video showing all the basic quilting skills you need to make an easy quilt.    And….the course is FREE!

This classes start with picking a pattern.  (The course materials include 3 free patterns. Two of the patterns are for large quilts and one is for a mug rug, about the size of a placemat).  Gail offers insight on how to pick colors, types of fabrics to use and how to best use designs on the fabrics.  She teaches the student how to do rotary cutting and chain piecing.  She goes on with how to assemble the blocks, how to add sashing, borders, bindings and finishes up with making a label.  Everything a novice quilter needs to get going on a first quilt is included the class.  Like all Craftsy classes, you can add notes to yourself  in each video and you can go back as often as needed to review a technique.   In most Craftsy classes, you can ask the instructor a question.  But because this course is free, that option is not available.   Gail does such a great job teaching and demonstrating the quilting process, the typical student should be able to do the lessons without added input.

I watched all 11 lessons today.  I've been quilting for a long time.  My mom had a bachelor's degree in Interior Design so I've been around fabric my entire life.  I thought I knew a lot.  But I learned a number of new things.  Here is a list of some of the great tips I picked up:

1.  Thread is wound by the manufacturer 2 different ways.
        Cross wound tread looks like it has a zig-zag pattern on the spool.  It is supposed to come off the top of the spool so works best if used on the horizontal spool holder on the sewing machine.


        Stacked thread is wound around the spoon in an even circle.  Thread is supposed to come off the spool from the side, to it works best when used on the vertical spool holder on the sewing machine.



2. The colored dots on the selvage of fabrics are called "gams." I think these are so cool.  Each gam indicates a different colored screen needed in the process of printing the fabric's pattern.   Here are the gams for "This and That" by Nancy Halvorson for Benartex LLC.   Gail commented that selvages cut off fabrics used in a quilt could be saved as 'library' for future reference or….used as tomato ties in the garden!  Yikes!   That will cause palpitations in the hearts of lots of folks who use selvages as design elements in their quilts and other sewing projects!
   

3. Pre-washing isn't necessary. Gail recommended that if you wanted to do it, you should just use plain water in the rinse cycle of the washing machine and NOT use any soap.  Put the material in the drier until the fabric is 80% dry, then take it out and iron it.

4.  The walking foot on the sewing machine effectively adds feed dogs on the top surface of what you are sewing.  Along with the feed dogs under the plate on the sewing machine, they work in tandem to help pull the quilt throughout the machine. I love my walking foot.  I use it for quilting and for sewing on bindings.  I knew it makes those projects much easier…I just never knew why!

5.  Sewing machine needles with higher numbers are larger.  HAND sewing needles with higher number are smaller.  Go figure!

6. While threading a needle for hand work,  put the newly cut end of the thread through the needle and pull it all the way out to the end and knot that.  Gail states that the twist on the thread will run through the fabric more easily and you'll get fewer thread tangles!   She also recommends that you not use a tread any longer than the distance from your hand to your elbow. This limits the wear on the thread as it goes through the fabric and the thread should last better and remain stronger over time.

If you want to start quilting, or if you have a friend who wants to learn to quilt, or if you have a rainy Spring day and want to watch some great free videos, head on over to Craftsy and sign up for "Piece, Patch,  Quilt!"  I highly recommend this class!

Vintage Quilt Revival Top is Completed

by Judy Tucker


I finished my Vintage Quilt Revival top today.  The book Vintage Quilt Revival has examples of 3 ways to set the blocks.  I opted for the version with the sashing.   The quilt with the sashing in the book didn't have any borders.  The authors said they felt that was more in keeping with a Modern quilt.  Their quilt with the sashing is on the cover of the book.



Without the borders, the quilt just covered the top of a queen sized bed.  I decided I wanted at least a bit of overhang.  I added 2 extra borders on each side but not at the top or bottom of the quilt.  I think the borders look like a continuation of the sashing, except that the borders don't have the lighter blue blocks at the intersections.

Here is the quilt from the side.  I tried to photograph it outdoors today without success. A weekend rain storm was moving in. Every time I got the quilt set for the picture a gust would catch it.  It was more sail than quilt!  I finally gave up and took it indoors.  Not an ideal location for the photo…but done!



I plan to bind the quilt with the Kona Cadet Blue which is framing the blocks and is the outermost border.  So the binding won't add an extra element to the quilt.

My sewing machine is due for its annual Spring cleaning and tune-up.  I'm going to get that done before I start the quilting on this project.

Castle Walls Block

by Judy Tucker



I was chatting about project ideas with a quilting friend the other day.  She told me that she wants to make a princess quilt but with an interesting twist. It's going to be very cute…but it's her project so I don't want to spill the beans about her idea.

That evening I was looking through the Fat Quarterly book, Shape Workshop for Quilters by Katy Jones, Brioni Greenberg, Tacha Bruecher and John Q. Adams.  With princesses still in my mind, I was very taken by John's block, "Castle Walls."

His block has an open square at the center.   Those open spaces in blocks always call to my imagination.

Now I'm NOT a pink and purple princess person.  In fact, that sort of princess makes me cringe.
I'm more of a 3 siblings (now they don't HAVE to be brothers do they??) set off to find their fortunes type. But I really liked the block.

It was only a short sideways step from Castle to Ivory Tower.  Now that was something I could work with!

The title came first:  "Burning the Midnight Oil in the Ivory Tower."   A scholar, rather than a princess, was going to go in the center of my block…or at least evidence of a scholar!

I started with a bookshelf.
I pulled out a number of strings from my string collection.  They were 3/4 inches to 1.5" wide.
From a 2.5 inch wide piece of Kona cotton "Snow" I cut cream rectangles the width of each of the string strips and sewed them together.



Then I sewed the strips together, staggering the height of the colored portion of the strip to look like books of different heights.



Then I trimmed the "books" to the size needed for the square needed in the center of the quilt block.



I sewed a 1.5 inch brown strip across the bottom of the strip set 3/4 inch from the lower edge of the strips.  Then I flipped the brown fabric down and trimmed it.  That created the book shelf. (See below).

I used 2 different cream colored Kona fabrics for the tower (castle) walls.   The green corners came out of my stash of 2.5 inch squares left over from other projects.  I choose green to make it look like shrubbery around the Ivory Tower!

Then I quilted radiating arcs with yellow thread to indicate the rays from a candle on the scholar's desk which is out of sight below the level of the bookcase.

And I used a boxy quilting pattern to emulate the stone walls of the ivory tower.



Last Sunday at J.P. Knit and Stitch I saw the small Boston Modern Quilt Guild Challenge Quilt wall hanging made by Alice Webb Greer.  She blogs at Alidiza.com.  She is one of the quilters featured in Rachel May's book, Quilting with a Modern Slant.   Alice sewed folded squares into the upper corners under the binding on the back of her wall hanging. A dowel can be tucked under each of the triangles to hang up the piece.  Very clever.  Lots easier and tidier than using a sleeve.

Here are the corners on my wall hanging:


A fun little project.  The Castle Walls Block and not a Pink Princess in sight!

Book Report: Quilts on the Double

by Judy Tucker


I was so happy today when I checked Amazon to see if one of my favorite quilt books is still available…and it is!

Here's my copy--complete with sticky notes from 4 years ago!

Quilts on the Double was written by two Australian quilters, Judy Hooworth and Margaret Rolfe.
This is a book of easy strip pieced designs but there are 2 amazing things about this book:

1. With careful cutting and the addition of a bit of extra fabric you can get three quilts from one set of strips!
2.  There are 50 different ways to construct the blocks, all of which are illustrated the the book!

The patterns are divided in to Tops, Tails and Sides.
Here are the first 2 quilts I made using the book.  (I didn't use the Sides for a third quilt).


Tops Quilt

Tail's Quilt
Clearly, these weren't quilts with Modern aesthetics!

Here is a Tails Quilt that I made from a different strip set.  Quite a bit brighter!


I did make a set of pinwheels from the Sides from this set of strips but I don't have photos of them or the Tops quilt from these fabrics.

I have been thinking at lot recently about going back to use this book again, this time to make several Modern quilts with solid fabrics (and maybe some Modern prints).

Fabric requirements:
    6 coordinating Fat Quarters
    6 contrasting Fat Quarters
    2 yards of an accent fabric that compliments both sets of Fat Quarters

I don't have a lot of solids in my stash anymore so I set off on an Internet search to see what I could find.  Because these fabrics will make 3 quilts, I needed to find solid colors that I really like.

I looked at the stack of Kona Sunrise FQs.  I do like them but I already have that collection in 2 sets of charm squares so it didn't make much sense to repeat that.

Then I found the set of "Summer Basics" in Moda Bella Solids from the Etsy Fabricshoppe.  There are only 8 FQ in this collection.  But I really like the 4 warms and 4 cool colors in this collection and I think I have some fabrics in my stash to add 2 more warm FQs and 2 more cool FQs.   I might have an accent fabric but will have to wait for the fabric to arrive before I can decide that.

I'm excited to use Quilts on the Double but from a Modern perspective.   I think it will be a great Spring/Summer project!  I can't wait for my fabric to arrive so I can get started!











It takes a Village: Why it's good to have a friend look at (and test) your new design

by Judy Tucker


It's great to have quilting friends.  They often look at a quilting project from a totally different perspective which can be really interesting…and sometimes, very helpful.

I took my Economy Block Lattice Variation cat block to our Proper Bostonian Quilter's Saturday Day Camp this weekend and showed it to the folks who there sewing that day.  Everyone really liked the block and my choice of fabrics.  

Here is is again:


My friend, Kace, picked up my block and looked at it closely.  "You used foundation piecing to make this block?" she asked.  "If I had designed this block…."

Her comments were ….Brilliant!  I had "EQ 7 brain".  If I had created the design on the computer, it had to be good.  Right?   Maybe not so much!!  The computer designed block is beautiful and its symmetry is lovely.  But it is hard to sew those "Y" seams making the mitered corners on the strips framing the center block using the foundation piecing.  I hadn't even thought to look at the block to see if there were a better way to make it.

Kace suggested 2 alternative ways to construct the block without using foundation piecing.
1.  Cut the framing strips straight without mitering the corners.
2.  Cut the framing strips longer, and create a miter without the Y seam, the way you would make a mitered border on a quilt.
Kace is going make a test block to see how it works to miter the framing strips without the Y seam.

I went home and made a maquette (a sample) of the block using the straight strips.  It was much easier and faster to construct the block this way. And the block is much sturdier.  In my foundation pieced block, the inner corners of the mitered strips are weak spots.


I really like the symmetry of the mitered framing strips.  But I am using this block to make a baby quilt which going to get a lot of wear and tear.  So for a baby quilt, I think the best way to construct the block is to use the straight cut pieces to make the frame.  I think it will hold up better over time and it won't change the over-all look of design in the finished quilt.

So thank you Kace for seeing my design from not one, but two, different perspectives!
This project is going to be much better baby quilt thanks to your input!

I'll post the pattern(s) when I finish the quilt and have all the details.




   



Low Volume Green and Blue Strip Baby Quilt Completed (with pattern)

by Judy Tucker



The Low Volume Green and Blue Strip Baby Quilt is done!   I did the quilting this morning and put on the binding this afternoon. 

I had so much fun with the quilting.  There are clouds and a couple birds in the sky blocks.  I put in a bee hive just out of reach of the bear in the top center forest block.  There are lots of flowers in the forest blocks too.  And somehow Jack in the Bean Stalk's vine got in one strip too!

My waves have gotten a lot better since the last time I did them in my {Big} City Girl quilt.  I marked the quilt with chalk before I put the layers together but the chalk and mostly rubbed off by the time I got to quilting the ocean blocks.   

So I stopped and put 2 pieces of felt together and practiced the quilting waves.  That was very helpful. Because I was working with piece of felt that was about 8 inches by 12 inches I was able to turn it around to determine which direction was best for quilting the waves.  I found that if I turned the the quilt sideways and stitched the pattern moving with the curl of the waves coming towards myself (the waves turned 90 degrees from the way they would be viewed on the quilt) I had both good control of the quilting and a great view of what I was sewing.  




I put in a small school of fish one one of the ocean blocks.  And there is a sea snail in another block.

Running diagonally from the upper left to the lower right is are beams of sunlight stitched in light yellow thread.

And on the back:
The Hawaiian fabric, as requested!



With the Mom's request for foliage, waves and ocean colors, Hawaiian fabric, no juvenile prints and a "calm" pattern, this baby quilt was quite a design challenge.  It was a lot of fun to make…and to quilt!

PDF Low Volume Green and Blue Baby Quilt Pattern

Low Volume Green and Blue Strip Pieced Baby Quilt Pattern

by Judy Tucker


        Low Volume Green and Blue Strip Pieced Baby Quilt
                                      (Sky, Forest and Ocean)
                                               38 x 48.5 inches


This would be a good quilt to use up bits and pieces in your stash.  Or you could start with fat quarters if you prefer. 

I used lighter blues in my sky and darker blues in my ocean. I added some yellow strips and some fussy cut strips with forest animals and ocean creatures. If you are using fat quarters, choose 7 medium blue fabrics which could be sky or ocean, 2 lighter blue fabrics to add to the sky and 2 darker blues to add to the ocean.


PDF of Low Volume Green and Blue Pieced Baby Quilt Pattern

Fabric Requirements:

Blues:  9 (11 if you are using added colors for sky and ocean) pieces of blue      fabric 11.5 inches wide x 10 inches high
Greens:  9 pieces of green fabric 11.5 inches wide x 10 inches high
     (You will end up with enough strips for 3 extra blue and 3 extra green blocks).

Scraps:  Strips of yellow fabric or fussy cut strips to substitute for some of the pieces in the blocks if you wish to do that.

For the sashing and binding:  1.5 yards green fabric.  (2 yards if you have vertical pattern and don’t want to piece the long stashing strips).
Backing: 1.5 yards
Binding:  cut 5 strips WOF to the width you prefer for your bindings.  (2.25 inches is a good width if you aren’t sure).

Cutting Instructions:

Label 9 small sandwich bags letters A through I.  One for each strip you will be cutting. 
You will need 2 sets of bags: one for blues and one for green fabric strips.

Stack 3-4 pieces of your 11.5 x10 inch fabrics.  Cut as shown on following 2 pages.

Cut 9 sashing strips 9.5 inches x 3 inches.

You will also need
  Two strips of sashing 3 inches wide for 2 middle vertical rows of sashing
  Two strips of sashing 3.5 inches wide for the right and left side of the quilt
Two 3 inch strips of sashing for the top and bottom of the quilt.
I recommend that you cut these after you have assembled the 3 vertical rows of blocks.

Construction:
Assemble your blocks on a design wall.  You should have a different fabric for each piece in a block.

Sew your blocks together per the diagram on the next page.  The block should be 9.5 inches square and will finish at 9 inches square.

Attach a piece of 9.5 x 3 inch sashing to bottom edge of your sky blocks and forest blocks. 
Sew the blocks together in vertical rows: Sky, forest, forest, ocean.  You will then have 3 vertical sets of blocks, each containing 4 blocks.

Measure each of the long strips of blocks. 
Now cut your 2 outer and 2 middle sashing strips to measure your quilt.

Attach the 2 middle strips of sashing, then the 2 later strips.

Finally measure the width of your quilt at its center.  Cut the top and bottom sashing strips to that width.
Attach to the quilt body.


Finishing:

Quilt and bind as desired.




Economy Block Lattice Variation for a Baby Quilt: Designing the Block and Quilt

by Judy Tucker



I have another baby quilt to make!  (Are we in the midst of a baby boom?)  This quilt is for a baby girl. I showed Mom the stash of baby friendly fabrics I had and she thought one with cats on it was cute. But she is planning on decorating the nursery in light pink and grey. The cat fabric she liked is oranges, brown and soft greens.  I didn't think I could translate this fabric into a pink and grey baby quilt.


Here is the group of fabrics I showed her. 
They were fabrics I had in my stash that coordinated well together.

But I also had a yard of Andover Fabrics "Cat Dream" from Lizzie House's "Catnip" line.  While the colors in this fabric are mainly melon to orange, the little flowers in the design are a soft pink.  With some fussy cutting, I thought I could make this cat fabric work for my project.




I sat down with EQ 7 this morning to design a block for this baby quilt.  I wanted to use the Economy Block (square in a square) in this quilt but I needed to add several fabrics to the block to push this fabric toward the pinks and greys. That meant the block needed to be fairly large. Here is my block design:


 The block is 12.5 inches and will finish at 12 inches square.  It is a foundation pattern.

Here is a mock up of the whole quilt using this block.  The finished quilt will be 42 x 42 inches.
I like the zig-zag like pattern created by dark grey and the dark pink.  I might add some rick-rack somewhere on the the borders to echo that pattern.


My next task was to test the block to see how it worked. To date, all of the quilts I have designed and posted on my blog have been Easy/Beginner level blocks.  This one is an Complex/Advanced level block.  The paper piecing is straight forward.  But then the center Economy block is inset with mitered corners.  It takes some partial seams to get the block constructed but it can be done!

Here is my first block.  


Just 8 more to go!

I will post the pattern after I finish the quilt when I have all the details and can give some you some tips on the block construction.  I can't wait to see how it looks when I have more blocks. 


Vintage Quilt Revival Blocks completed!

by Judy Tucker


Here it is, the very last of the paper shredding for my Vintage Quilt Revival sampler quilt!  I finished the last block today.


I put together 4 blocks this week, so I am a week ahead of the Flickr Group, Vintage Quilt Revival Block Along schedule.

Here are the blocks I just finished:

Classic Star and Pinwheel Block

Classic Mosaic Block

Classic Exploding Star Block
(Don't you just love that name.  But it makes me
wonder if there is a Black Hole around here somewhere)!

Classic Geometric Star Block
And here are all the blocks laid out:


The book, Vintage Quilt Revival: 22 Modern Designs from Classic Blocks,  (see sidebar right), shows the blocks in 3 possible setting.  One is similar to the layout here.  This only makes a lap sized quilt.  With each block taking me 2+ hours to make, I want it to be a more substantial quilt.  And it think the details of each block are better appreciated when they aren't right next to each other.  

Setting the blocks on point is beautiful. However,  my background white came from my stash and I don't have enough to make the setting blocks, nor do I want a quilt with a lot of white.  Too many 4 footed friends in this house to do that!!

The last suggestion is to put sashing between the blocks.  I searched through my stash this morning but it doesn't look like I have anything that will do.  But I did find some lovely fabric for the backing, so it was a well spend morning!



Setting of the blocks to follow at a later date -- when I know what I want to do!

Constructing the Low Volume Green and Blue Strip Baby Quilt: Part 2

by Judy Tucker


In between doing training with my dogs I did get in some good sewing time this weekend.

The baby quilt top I am working on is done and ready to be quilted.  I'm really pleased with it so far.
I used the sashing to add an element of order to the blocks.  The mother of the baby asked for a "quiet" quilt and I think the sashing helps calm down the strip pieced blocks.  It also makes it look like you are looking at the world through a latticed window.

I'm really looking forward to quilting it.  I am going to do free motion quilting on my domestic sewing machine and plan to add more sky and ocean elements with the quilting.

Blocks on the design wall, ready for sewing.

Blocks coming together

Completed quilt top

Constructing the Low Volume Green and Blue Strip Baby Quilt: Part 1

by Judy Tucker


Today I got the strips for the baby quilt all cut.  I decided to stack the greens (3-4 at a time) to cut them.  That gave me enough strips for 3 extra blocks.  I thought it made more sense to save the time rather than cutting all the strips individually.  I'll find a use for the extra blocks.

I did cut the strips for the sky and ocean individually.

I had time to sew the 3 sky and 3 ocean blocks.  I really like them.  There are repeating blues in the sky.  I didn't have enough pale blues to make them all different.



I also sorted the low volume green strips into blocks.  I used 9 green fabrics, the number of strips in each block, so there are no repeats in any given block.  I put them up on the design wall so I see them all and check for duplicates.


I also put the pieces with animals and objects in their places in the blocks.
I think I'll be able to get the quilt top finished up in the next couple days.
Once the strips are cut, it goes together quickly.


Designing a Low Volume Green and Blue Strip Baby Quilt

by Judy Tucker


I've been asked to make a baby quilt that doesn't use juvenile fabrics.  The new mom requested
a quilt that is green and royal blue with a few yellow accents.  She also asked for foliage, waves, and Hawaiian fabric! And she wants the quilt to be "quiet." Whew!  That's a challenge.

For the past couple years I have been thinking about Elizabeth Hartman's quilt "Batch of Brownies" in her book, The Practical Guide to Patchwork.  It's a "stack, cut and shuffle" strip quilt with rectangular blocks. What fascinates me about this quilt is the deer peeking out of some of the squares in the quilt's  green blocks.  I'm interested in all sorts of "I Spy" quilts and her quilt has an I Spy element.  Children really enjoy looking for hidden things in pictures (and quilts).  The quilt I am making isn't going to be a typical baby quilt but I am planning to hide a few animals and other things in blocks.

Learning to use Electric Quilt 7 to design original blocks and quilts is on my To-Do list for this year.  So today I sat down and watched EQ's helpful video about using Patch Draw to design blocks. Then I got to work.  I had to refer to the Help files for several topics but for the first time, I managed to design a block and quilt completely on the computer without resorting to pencil and paper!

Here is the pattern I created.  I had sky, forest and ocean in mind when I designed it. The bright or dark color patches in the blocks are markers for the things I want to hide in the quilt.  The yellow sunlight in the sky filters through the forest and sparkles on the surf in the ocean.


The colors from the EQ file shown here are much more vivid than the fabrics I have picked for the quilt.  But it does give a idea about how the completed quilt will look like.  I am using a soft green foliage fabric for the sashing to quiet the activity in the blocks.

Sky Fabrics

Forest Fabrics--the green on the right will be the sashing

Ocean Fabrics
Hawaiian Fabric for the Backing

I can't wait start sewing the blocks and to see how this quilt comes together.  I'll keep you posted on my progress!

Log Cabin Wonky Star Variation Tutorial

by Judy Tucker



To make a Log Cabin Variation of the Wonky Star Block



Materials needed:
    2.5 inch square for the center of the Log Cabin block
    6-8 strings (strips 3/4 inch to 1.5 inches wide)  They can be symmetric widths or asymmetric. It's a modern block so it's up to you!

Directions:

The center block for the Wonky Star needs to measure 5 inches (finishes at 4.5 inches)

Cut the first 2 strings 2.5 inches and sew to the right and left sides of the center square



Measure the width of the block you have just sewn


Cut 2 more strips to and sew to the top and bottom of the block.  



Continue to build this block until you have a block at least 5 inches square.   If your block is larger than that, trim it to 5" square.  This block ended up asymmetric when it measured 5 inches.  That's fine. 



Now you are ready to make your Wonky Star.  I recommend that Victoria Gertenbach's  excellent Wonky Star Tutorial to make the Wonky Star block.

Have fun!



Log Cabin Variation of the Wonky Star Block

by Judy Tucker


Recently my friend Janet was asked if our guild, Proper Bostonian Quilters, would be interested in making a Log Cabin quilt for The Somerville Homeless Coalition.  They Coalition would like to raffle the quilt at a concert in December to raise funds for their charity.

Janet was really excited about doing this project and the Guild president approved the project.  We sat down to think about colors, design and logistics for making the quilt.

Our guild made a Log Cabin raffle quilt, Cabin in the Woods, 3 years ago for our biennial show.  And a couple months ago we made "Urban Cabin" from Modern Designs for Classic Quilts by Kelly Biscopink and Andrea Johnson.  We wanted the guild members to be excited about making a block for the quilt.  Would they have Log Cabin block fatigue?

At the last meeting the group really enjoyed seeing the Wonky Star Quilts from our New Years Day Quilt Along.  Our guild has been very interested modern quilt blocks this year and this one is fun and easy to make.  But it isn't a Log Cabin. But then I realized we could put a Log Cabin in the center of some of the blocks.  We could have a modern block with a Log Cabin!


Janet was reading about Log Cabin blocks and discovered that red is often added to the block to symbolize the hearth in the home.  So we decided to add a little hot orange to 3-5 blocks in the quilt. 



The quilt will have 30 blocks.  10-12 blocks will have Log Cabin Centers.  The other blocks in the quilt will have solid center squares which we are supplying so that the quilt has some continuity. Each member making a block will supply the fabric from the star points from their own stash. 

Our background fabric is Kona White. 
Here is our color scheme for the stars:


We are distributing the fabric for the blocks at our guild meeting tonight.  I'll keep you posted as our project progresses.

Two days after I designed this block, the new catalog arrived from Connecting Threads.  It has a kit for a classic Ohio Star with a Sunshine and Shadow Log Cabin in the center block!  I wonder, is going to be a new hot trend?

To make a Log Cabin Variation of the Wonky Star Block

Materials needed:
    2.5 inch square for the center of the Log Cabin block
    6-8 strings (strips 3/4 inch to 1.5 inches wide)  They can be symmetric widths or asymmetric. It's a modern block so it's up to you!

Directions:

The center block for the Wonky Star needs to measure 5 inches (finishes at 4.5 inches)

Cut the first 2 strings 2.5 inches and sew to the right and left sides of the center square



Measure the width of the block you have just sewn


Cut 2 more strips to and sew to the top and bottom of the block.  



Continue to build this block until you have a block at least 5 inches square.   If your block is larger than that, trim it to 5" square.  This block ended up asymmetric when it measured 5 inches.  That's fine. 



Now you are ready to make your Wonky Star.  I recommend that Victoria Gertenbach's  excellent Wonky Star Tutorial to make the Wonky Star block.

Have fun!




Notes on making a Pressing Board

by Judy Tucker


I've been watching the Craftsy quilting course, Inspired Modern Quilts taught by Elizabeth Hartman. It's great class and Elizabeth is an excellent teacher.
In the second class she shows several options for making a design wall and how to make your own pressing board.

I use the fuzzy flannel back of  a plastic picnic tablecloth for a design wall so I was all set in that department.  But I didn't have a pressing board so I decided to follow her directions and make one.

Elizabeth's video tutorial in the Craftsy class is excellent.  She also has a tutorial on her blog using a TV tray rather than the piece of plywood board used in the video.  Here is the link to the tutorial on her blog,  "Oh, Fransson!" :  TV Tray Pressing Board Tutorial.  If you want to make your own board, I recommend that you either take the on-line Craftsy class or use the tutorial in her blog.

This project only took me about 15 minutes.  Well, actually it took a bit longer because my staple gun was 2 staples short of a completed project!  But I learned something when I went to refill the staple gun:  5/16 inch staples work beautifully tacking the canvas to the plywood board but 1/2 inch staples where just too long and didn't staple flush to the board.

I did add one extra step when I made my pressing board that wasn't in her Elizabeth's tutorial.
I put a piece of flannel backing to the back side of board to cover up the exposed plywood.  I was concerned the unfinished plywood might scratch a surface when I put the board down to use it or if rested the board against something when not in use. The flannel prevents that potential problem.

Make your own pressing board!  It's a quick project and a lot of fun to do.


Supplies: 1/2 inch plywood board, canvas, 100% cotton batting, duct tape
and a staple gun (not shown)

Finished pressing board

Back of the pressing board with the flannel covering

The new pressing board in use!


Sewing Partial Seams in a Quilt Block: Vintage Quilt Revival

by Judy Tucker


Today's challenge included making 2 more blocks for the Flickr Group Vintage Quilt Revival Block Along.  As the weeks go by, the block assembly is getting increasingly difficult.

Last week, for the first time, there was a block with a partial seam.  I had never made a block with a partial seam.  I took a quick look at the instructions and went for it. Not the best plan! I needed to do some un-sewing and a bit of fudging to complete the block.  It looks all right, but I know it could have been better.


Classic Tilted Star Block
So this week, the Classic Double Windmill block, also has partial seam in the construction of the block. This time I decided to carefully read the instructions and study the excellent diagrams in the Vintage Quilt Revival book before I started to sew. The tricky component in this block is the central square. You have to build the block around it. 

Classic Double Windmill Block

I paper pieced the 4 basic components of block. Then I started to sew them to the bright blue center square.  The first seam is sewn from the left edge where the seam ripper is pointing, stopping HALF way across the blue square where the pin is located. That will leave half the square piece loose so the 4th piece of the block can be attached to it.
 

Here is the block with the completed half seam.


The next piece of the block is attached to the longest side of the block.


 Add the 3rd piece.  So far, so good.


Now the fun begins.  The 4th piece of the block is attached to the long side of the 3rd piece of the block which includes the last full free edge of the blue central square.  The photo below shows the block after that seam has been sewn.
You can see there is a open edge (indicated by the seam ripper) that includes the partial seam of the blue central block


Finally sew together the last seam of the block.  Start sewing at the middle of the blue central square (indicated by the seam ripper) and sew away from it toward the outer edge of the block.  That helps prevent a lump in the middle if your pieces don't exactly match perfectly. 


It works!!  This turned out really well.  It just needs 4 white triangles added to the sides of the block to complete it. (See finished block above).



Here is the other block I completed today.  It has a lot of pieces but it wasn't hard to assemble.  A quilt made with just this block is really fun.  The outer arc on the block connect to arc in the adjacent block making a  concave diamond, which has star qualities, as a secondary pattern!   I only have one block but the book has a great photo of the completed "Make it Spin Again Quilt."  

Classic Wheel of Fortune Block

I wonder if any of the blocks for next week have partial seams….


Selvage Quilt Labels

by Judy Tucker


I started thinking about saving and using my selvages after reading Amanda Jean Nyberg and Cheryl Arkison's  Sunday Morning Quilts.  It's a great book of modern scrap quilts.   In the book the showed knitted a little rug with selvages they had tied together end to end.  (The instructions are for knitting a selvage rug are in the book).

Well.  That got me going!   I collected 2 rolls of selvages and knit myself a bath mat.  It's a bit wonky because I'd never knitted with cotton fabric strips and it took me a while to get my tension even.   After finishing the rug I  realized it is best to use brightly colored strips when you start and finish the rug.  It is fine to have all white scattered in the middle of the rug but the margins should be bright, not white.

I tried to get a photo of the knit rug but Tipper had another plans!

I now have 2 more rolls of selvages waiting to be used! Treasure!


If you want to see some amazing projects using selvages, check out Aylin's Selvage Love tab on her blog ayliN-Nilya.blogspot.de.

Recently I have been using selvages to make quilt labels.  I sew several selvages together with 1/8 inch seams and attach a piece of plan fabric to write the quilt information. I try to use selvages from the fabrics in that quilt.  The selvages strips aren't very flexible once they are sewn together so I've starting adding a piece of fabric trimmed from a block, border or backing of the quilt.   Here are some of my Selvage labels:





They are a lot of fun and sometimes they add a bit of design information to the quilt! Give it a try!

Strip Pieced Baby Quilt Finished with Hexagon Stop Light: To the Rescue!

by Judy Tucker


The Doggie Firefighter quilt is done!   After I posted it as a WIP several days ago, I keep thinking about it.  I really thought the design could still be improved more.

I ended up adding one more vehicle  appliqué--the yellow fire truck.  And I dug in my stash and found red, yellow and green 3 inch squares.  I trimmed the squares into hexagon shapes and added them as appliqués to make a stop light.  That turned out to be a great addition to the design and adds some extra fun to the quilt.





Today I did the quilting and the binding.  The body of the quilt has a meandering quilting pattern with scattered stars.  I slowed my quilting pace in the blue accent bars and did my best to make the meandering look like puzzle pieces.  Since small children play with large piece puzzles, I think my young neighbor might find the quilting design fascinating when he gets older.


The binding fabric is a tiny dog paw pattern, gold feet on yellow back ground.  It's a perfect finish for this Doggie Firefighter quilt!




This was an interesting project. I learned a lot about how to improve a design in the process of creating this quilt.

Now that the the sewing all finished, the quilt is in the washing machine, getting clean, soft and baby friendly!

Crocus Machine Applique: Spring Breaks Out

by Judy Tucker


With temperatures in the 20s again today and everything in the yard under a thick layer of icy snow, I was thinking about Spring and crocuses coming up through last Fall's fallen oak leaves.  It's going to be a few weeks before that will happen here, so I decided to make a crocus block!

I drew out a design and sat back and looked at it.  It was going to be difficult to turn this one into a paper pieced pattern but it is well suited to machine appliqué.


I traced the parts of the flower and leaves individually with a seam allowance where the pieces overlap so I could tuck the edge of one fabric under its neighbor.
Then I scanned them into my computer.  Once scanned, I flipped the image horizontally to create the mirror images needed for the fusible appliqué.


I chose Heat-n-Bond lite to fuse the appliqué to the background material because I could see through it to trace the pattern pieces onto the paper on the back side of the product. Use what you have or like using.

Cut out the appliqué pieces so you can fuse them to the back of the fabrics for your flower and oak leaf.
Leave room around the your drawn lines. You will cut them to the exact shapes needed after fusing the Heat-n-Bond to your colored fabrics.


Place the cut pieces on BACK side of your fabric.  Double check to make sure you aren't fusing the pattern to the front of the fabric.



Fuse the Heat-n-Bond lite to the fabric per the directions. Then cut out the individual pieces of the appliqué.

Fuse them to the background fabric in this order:
     Oak Leaf
     Right and Left crocus leaf
     Stem
     Center of crocus flower with Right petal next and Left petal overlying the center and Right petal.





Machine appliqué the pieces with colorless mono filament thread in the bobbin, changing the upper thread to match the appliqué pieces.  Sew them down in the same order that you applied them to the background fabric.


Trim this block to 6 inch square.
Add fabric scraps to both sides, then the top and bottom of the block.
Trim the final block to an 8.5 inch square.


 Spring has arrived!

 I don't have a plan for this block yet.  I think I'll put it away and see what else happens!

Here is a PDF you may download if you want your own crocus block. This design is copyrighted. You may only use the block for your own use.

 Crocus machine applique pattern: Spring Breaks Out





Wonky Star New Year's Day Quilt Along 2014

by Judy Tucker


New Year's Day 2013 three quilting friends and I got together to sew up an on-line New Year's Day Mystery Quilt.  We all had a great time sewing together but we were less thrilled about the process of doing a mystery quilt in a day.

We decided that this year everyone would be using same pattern (not a mystery) but everyone would use different fabrics.  We wanted the scope of the project limited in size so that the quilt blocks could be done in one day. That meant we needed a pattern for a lap sized quilt, preferable using pre-cut fabrics, so we could quickly get to sewing.

Green Fairy Quilts had a great sale on 5 inch Charm square packs in December.  They were selling out quickly so I ordered the Charms in 5 different fabric lines.  Having done that, I started searching the Internet for Charm friendly patterns.  When I found the Wonky Star Tutorial on The Silly BooDilly blog I knew I'd found our New Year's Day Project.  One of the women in the group checked it out and gave it the thumbs up.  No one else in the group knew what pattern we were using nor what fabrics they would get.  So it was a bit of a mystery until New Year's Day arrived. Very exciting.  

Everyone was instructed to bring their sewing machine and extension cord, a ruler, rotary cutter, and a culinary contribution for our potluck lunch.

Each New Year's Day quilter received 2 stacks of patterned Charm squares, 2 stacks of background Charm squares and 1 yard of the background material.  The expectation was that each person would sew 9 Wonky Star blocks.  Borders, backgrounds, bindings and backings were up to each person's ingenuity (and stash)!

Each set of fabrics was numbered and the numbers were all put in a container. Everyone pulled a number and that was their fabric.  That turned out to be a huge part of the fun.  Ginny who normally works with blues and greens got orange fabrics…and discovered she loved working with them.  Janet got batiks of multi-colors which she found really challenging.  Kace had lights and darks in her stack of patterned charms and some of the light charms just didn't work in the stars. In the end, everyone felt challenged by the fabric but is delighted by the resulting quilt!

4 of the 5 of us were at Guild the other evening.  Everyone brought their quilt or WIP (work in progress) to show at Show and Tell.
Here they are!
Kace

Ginny

Janet

Judy

Sharon's WIP. (Photo taken on New Year's Day)

We have had such a great time working on this project!  
We are already talking about New Year's Day 2015!